Based on the 13-episode series of the same name, Violet Evergarden tells the story of Violet, a scribe commissioned to write letters at a time when telephones and computers had yet to exist. Shell-shocked from her time in the war, Violet is exceptionally stoic, except when she remembers Gilbert, her military superior and sometime lover. His parting words were “I love you,” and through her letters, Violet has been examining the meaning of the phrase since then. 

Fans of the series will have no trouble following the events of the film, but if you’re going in cold without any prior exposure to the franchise, it might take a while for you to adjust to its world. More an amalgamation of multiple cultures than a reflection of just one, the imaginary Leidenschaftlich is filled with Japanese-speaking citizens, in modern-day-influenced clothes, with architecture and vistas that could fit right in 1800s Western Europe. Against this backdrop, Violet attempts to restart her life as a writer. Living often doesn’t feel easy, especially when PTSD comes in the form of shocks and painful flashbacks, but loving, as she finds out, might be even harder. A tale of self-forgiveness and forging on, despite all odds, Violet Evergarden is a moving ode to life and love at a time of war. 

Joy is a dutiful, overseas Filipino worker supporting her entire family back home. Ethan is a well-off bartender who has, time and again, put himself first before others. They couldn’t be any more different, yet in Hong Kong, their alien status and ambitious goals make them kindred spirits. What starts as a low-stakes bond quickly turns into an essential relationship, one that puts their personal commitments to the test. 

Hello, Love, Goodbye may appear formulaic at first, but it is heightened by a keen understanding of life overseas. It avoids romanticizing the migrant experience and sees it for what it truly is: a harsh but necessary means to an end. If this seems too severe, it’s also softened by an enchanting romance and some welcome comic relief in the form of the pair’s friends. Because of this nice mix, it’s no surprise that Hello, Love, Goodbye instantly broke domestic records and remains the highest-grossing Filipino movie of all time. 

This atmospheric 82-minute French drama is set between 1995 and the present time, between a shy and lonely teenage version of the main character, Jonas, and an extroverted, chain-smoking one. The common thread between the two is a night gone wrong at a local gay bar.

I Am Jonas is a detailed portrait of a troubled, self-loathing character, and an exploration of the long-lasting impact of trauma experienced young.

Entergalactic, a vibrant animated romcom from the mind of musician Kid Cudi, follows new neighbors Jabari (Cudi) and Meadow (Jessica Williams) as they navigate their way through the ups and downs of modern love. They’re both established artists at the height of their careers, but when it comes to romance, they’re still scraping for lessons, which they mostly get from equally clueless but funny friends.

Featuring songs from Cudi’s latest record of the same name, Entergalactic doubles as a visual album that comes to life with every beat and movement. It also stars many familiar names, among them Timothée Chalamet, Vanessa Hudgens, Ty Dolla $ign, Jaden Smith, and Macaulay Culkin.

A Kurdish-Iraqi immigrant runs into serious immigration problems as he tries to immigrate from France to England in order to be reunited with his girlfriend. Eventually he begins to train in swimming, in an attempt to swim the channel between France and England. Welcome is a gripping tale of tolerance as well as relationships between locals and immigrants. It also gives a great look into the shortcoming of the European immigration system, and will have you crying by the end of it, no question.

Though Eternal Summer isn’t able to fully engage with its queer characters—maybe due to its being released in the mid-2000s—it still makes for a more interesting character study than you’d expect. This romance between three school friends has more on its mind than simply pitting two romantic pairings against each other. Unrequited feelings, unspoken secrets, and identities that are constantly in flux make Eternal Summer compelling just for the way these people try to dance around one another’s emotions. And since it’s shot in the muted colors of early digital filmmaking, this is a love story that becomes all the more melancholic just in the way it looks.

A dramatic recreation of the last 10 years in the life of famed pianist Liberace (Michael Douglas), told primarily from the perspective of his young lover Scott Thorson (Matt Damon). Directed by Steven Soderbergh, the film follows from naive young Thorson’s early introduction to Liberace through his 6-year romance and live-in relationship with the celebrated luminary. Coming from a broken home and multiple foster families, Thorson finds newfound comfort in the fawning adoration and financial protection that Liberace provides to him, as they quickly become lovers and confidants. Much of the story re-enacts their often stormy, behind-the-scenes affairs in candid fashion—including the lengths to which Thorson alters himself physically to conform to Liberace’s standards. Both Douglas and Damon are excellent in their roles, with Douglas in particular providing a striking recreation of Liberace in both appearance and mannerism. He truly embodies the role, and provides the viewer with a genuine glimpse into the personal life of “Mr. Showmanship”—replete with all of his passions, concerns and insecurities. It’s an intimate depiction of a real-life May-December relationship, told with striking honesty, and ending with a remarkably touching tribute to Liberace in all of his campy yet sincere glory.

Full of charm and nostalgia, Bang Woo-ri’s first feature film is a love letter to the late 90s—and to the heartstopping experience of first love, as high school student Na Bo-ra tries to get to know her friend’s crush Baek Hyun-jin. While at times immature, she comes across as endearing through Kim Yoo-jung’s charismatic, devoted performance. And as the Na Bo-ra goes through all the ways people wooed each other in the 90s—figuring out each other’s phone numbers, filming each other through old camcorders, renting out VHS tapes—the film evokes memories of our own first loves. Even with some underdeveloped characters and certain contrived moments, 20th Century Girl is still a stunning picture of young love at the turn of the century.

This lovely romance is about Ellie, a straight-A student who takes money from a classmate, Paul, to write love letters for him. Ellie does this to help with the household bills but there is one big problem: the girl Paul is in love with is also the girl Ellie has a crush on.

This might seem like the set-up for a standard Netflix comedy (and if you’re thinking Bergerac, you’re right, it is based on the famous play) but as the introduction of the film reads: “This is not a love story … not one where anyone gets what they want.”

It is in fact, personal work from a brilliant and quality-focused director, Alice Wu. Her last movie, Saving Face, a pioneering lesbian romance set in an Asian American context, was released a long 15 years ago.

Atonement is a tribute to cinematography, an epic film that might just remind you why you fell in love with movies to begin with. A young girl and aspiring writer has a crush on the man her older sister loves, so the young sister indulges her imagination to accuse the man of a crime he didn’t commit. The two are separated and the latter is then sent away to prison and after joins the army.  As the young girl grows up and realizes the true consequences of her actions, what can she do, what can anyone do, to remedy such a wrong? Winner of two Golden Globes and nominated to 6 Academy Awards.